A popular telephoto zoom for a variety of shooting applications, this Canon EF-mount, Nikon F-Mount SP 70-200mm f/2.8 Di VC USD G2 Lens from Tamron is characterized by its bright f/2.8 constant maximum aperture, as well as sophisticated optical and physical designs.
In regard to optics, an improved layout contains one XLD element and five LD elements to suppress color fringing and chromatic aberrations for notable clarity and color accuracy, and both BBAR and eBAND coatings have been applied to reduce flare and ghosting.
Complementing the optical assets, this 70-200mm f/2.8 also features an advanced Vibration Compensation (VC) system that compensates for up to five stops of camera shake for sharper handheld shooting.
A ring-type Ultrasonic Silent Drive autofocus motor is also featured for responsive and accurate performance, and also affords full-time manual focus override for fine-tuned control.
Additionally, the lens is also dust- and moisture-resistant for working in trying environmental conditions, and it is paired with a rotating, removable tripod foot with an Arca-type compatible base for seamless shooting atop a tripod or monopod.
Spanning a useful range of telephoto focal lengths, this lens is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it will provide a 112-320mm equivalent focal length range.
Constant f/2.8 maximum aperture benefits working in low-light conditions and affords consistent performance throughout the entire zoom range.
One XLD (extra-low dispersion) and five LD (low dispersion) elements are featured in the optical design to noticeably limit color fringing and chromatic aberrations for improved clarity, color fidelity, and apparent sharpness.
Both eBAND and BBAR coatings have been applied to suppress ghosting and lens flare for improved contrast when working in backlit conditions.
VC image stabilization helps to minimize the appearance of camera shake by up to 5 stops for more effective handheld shooting in difficult lighting conditions.
Three separate VC modes are also available to suit various styles of shooting: Mode 1 is a balanced setting for general use, and promotes both a stabilized viewfinder image and stabilized results; Mode 2 is designed exclusively for panning movements; and Mode 3 is optimized to stabilize only during capture without stabilizing the viewfinder image.
A ring-type USD autofocus motor delivers quick and precise focusing performance to suit working with moving subjects. This motor also affords full-time manual focus control, and it is possible to focus on subjects as close as 3.1′ away.
A sealed, dust- and moisture-resistant construction benefits this lens’ use in inclement conditions, and a fluorine coating has also been applied to the front lens element to protect against dust, dirt, and smearing.
A removable rotating tripod collar features an Arca-type compatible foot and benefits working with the lens atop a tripod or monopod.
Durable metal barrel uses a curved, ergonomic shape for easy handling, and both the zoom and focus rings are textured for improved grip.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
An electromagnetic diaphragm is used for more precise and consistent exposure control, especially when shooting at high continuous shooting rates.
Compatible with optional TAP-in Console for fine-tuning select focusing adjustments and for updating lens firmware.
Designed for use with:
All Cine Cameras :
ARRI ALEXA Mini
Blackmagic Design Cinema Camera
Blackmagic Design Cinema Camera
Blackmagic Design Cinema Camera
Blackmagic Design Cinema Camera 6K
Blackmagic Design PYXIS 6K
Blackmagic Design Pocket Cinema Camera 6K
Blackmagic Design Pocket Cinema Camera 6K G2
Blackmagic Design Pocket Cinema Camera 6K Pro
Blackmagic Design Production 4K
Blackmagic Design URSA 4.6K
Blackmagic Design URSA 4K
Blackmagic Design URSA Cine 12K
Blackmagic Design URSA Mini 4.6K
Blackmagic Design URSA Mini 4K
Blackmagic Design URSA Mini Pro 4.6K
Blackmagic Design URSA Mini Pro 4.6K G2
Canon EOS 1D C
Canon EOS C100
Canon EOS C100 Mark II
Canon EOS C200
Canon EOS C300
Canon EOS C300 Mark II
Canon EOS C300 Mark III
Canon EOS C500
Canon EOS C500 Mark II
Canon EOS C700
Canon EOS C700 FF
JVC GY-LS300
Panasonic AU-EVA1
Panasonic VariCam LT
RED DIGITAL CINEMA DSMC2 BRAIN
RED DIGITAL CINEMA EPIC-W
RED DIGITAL CINEMA Komodo
RED DIGITAL CINEMA RAVEN
RED DIGITAL CINEMA SCARLET-W
Z CAM E2-F6
Z CAM E2-F6 Pro
Z CAM E2-F8
Z CAM E2-S6
Z CAM E2-S6G
Camcorders :
Blackmagic Design URSA Broadcast G2
DSLR Cameras :
Canon EOS 1D X
Canon EOS Rebel T8i
Canon EOS Rebel T7i
Canon EOS Rebel T7
Canon EOS Rebel T6s
Canon EOS 1D X Mark II
Canon EOS 1D X Mark III
Canon EOS 5D Mark II
Canon EOS 5D Mark III
Canon EOS 5D Mark IV
Canon EOS 5D Mark IV Canon Log
Canon EOS 5DS
Canon EOS 5DS R
Canon EOS 6D
Canon EOS 6D Mark II
Canon EOS 70D
Canon EOS 77D
Canon EOS 7D
Canon EOS 7D Mark II
Canon EOS 80D
Canon EOS 90D
Canon EOS Rebel SL1
Canon EOS Rebel SL2
Canon EOS Rebel SL3
Canon EOS Rebel T100
Canon EOS Rebel T5
Canon EOS Rebel T5i
Canon EOS Rebel T6
Canon EOS Rebel T6i
Industrial & Multi-Purpose Cameras :
Canon ML-105
Canon ML-100
Canon ME20F-SH
Canon ME200S-SH
IO Industries Flare 4KSDI
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